New Blog for 2017
|January 1, 2017
Well, another year begins. Once again, it's not as cold as in years past, but still the new workshop is not ready to use.... Things are moving very slowly..
Although the beautiful concrete slab has been poured - and it has pex tubing installed which I will use to run hot water through to give the new shop very efficient radiant heating, there's still work to do on the roof and the walls are not up.
The new large compressor is now outside and the beautiful new heatable slab looks great, but is not yet serving its intended purpose. I did open up the side window and make a nice wide doorway into the new work shop and find it easy to roll carts in and out. Sometimes I just roll them out to give myself some room to walk around the print shop!. But soon I hope to that roof fixed and the walls up, the 220volt fuse box and power installed, the compressor powered up and the sand-blast cabinet back into place. Then I'll be able to resume restoration work at a more acceptable pace. Right now, it's still a bit slow and clumsy with too much stuff and too little workspace in the shop.
- but we do have easy access to the type and presses, and have had some fun printing recently...
Learned a new trick about how to keep my Heidelberg Ink Cylinder warm overnight in the unheated shop... This rubber pad is sold as an under desk floor mat heater, but does a great job of keeping the ink cylinder warm overnight. It draws less current than a light bulb and it saved me hours of pre-heating the press to reach that magic number of 50 degrees - below which, ink turns to tar...
I also used it on the bed of the Vandercook, where it also kept the bed warm overnight and made printing easier in the morning. For the C&Ps I still pre-heat the ink table, then burn a candle beneath it to keep it warm...
February 6, 2016
Started on a new little project - a paper clamp system for this nice little Nolan Proof Press that came from Mr. Neice's collection. He had been a typesetter at the old Hunterdon Democrat in the hot metal days and my best guess is that's where this press came from. It's in nice shape, but these newspaper galley presses always have one major drawback for printers these days.
Unless you find one of the "accessorized" models that come with a paper clamp, there's no way to print anything other than galley proofs or spot prints, which might be okay for some block printers or artists, but for a letterpress printer to really enjoy the benefits of this convenient little press, a method of holding the paper still - and in register for two color work - needs to be added. So I added it. In addition, I made an end bar to block the far end and allow actual lock-ups of forms - without needing to use a chase.
This makes the press far more practical and far more fun to print with... What's shown in these photos is the first prototype. I may disassemble it and cut a thicker piece on a wider base to raise the clamp up to type-high and give the base more stability. But for now, I think this is pretty neat, and I'll certaibnly be doing this for the other galley proof presses that are on deck to be restored....
February 11 -
Ed Zawora found an old Pfeiffer knock-off of the Kelsey 5x8 and brought it to me for some service and to learn how to use it.
Although most small presses were copied over the years and many knock-offs were made, only Pfeiffer and some supply house in California seem to have copied the 5x8 Kelsey. And, it is, I must admit, a pretty much part-for-part accurate reproduction with only very minor differences.
What's most interesting about the Pfeiffer is that it was sold from the same address as Barnhard Printers Supply in Newark New Jersey. Barnhard is where I bought my supplies when I was a kid back in the 60's & 70's, and I just wish that old Elmer Barnhard was still alive so that I could ask him about this press...
Pfeiffer was selling presses and supplies in 1935 and may also be the company that made - or at least sold - a number of portable - possibly aluminum - presses which were made to be easily dis-assembled and re-assembled as needed and were made to fit into a suit case. These presses were sent to England during WWII and air dropped to resistance fighters in Belgium & France where they were used to counterfeit documents. One of these presses surfaced a few years ago at a museum in Holland. The story was that it had been air-dropped by the British, so they thought it might be an Adana. But it wasn't. It was a 5x8 Kelsey, possibly a clone made by Pfeiffer.
And, Ed's press now includes the new 5x8 9-ply Excelsior Chase Base. No need to set type or use an undersized Boxcar Base, this Excelsior Chase-Base lets Ed simply mount his photo-polymer plate - up to a full 5x8" form - in seconds and get right to printing.
In any case, Ed's Pfeiffer, long un-used and finally sold at an estate sale, is now back together and in operation printing as it was meant to...
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